bts: reimagining carnival of the animals

In March, Sozo Artists brought me in to compose a piece for violin, cello, two pianos, and electronics for a collaboration with poet Marc Bamuthi Joseph, choreographer Francesca Harper, and dancer Wendy Whelan. It’s a reimagining of Saint-Säens’ Carnival of the Animals and it is an intentional response to the January 6 insurrection.

While I was making this, I needed to keep several things in mind: how to have my own voice pierce through a widely-known classical work; how to make something simultaneously original and familiar; supporting the text and choreography; making something for musicians I don't know and am not going to meet in person; writing an electronics part that works without click.

*Left to right: Pauline Kim Harris, Walter Aparicio, Thea Mesirow*

Marc would make audio recordings in addition to the text doc, and I’d listen to it over and over again. And again. Due to the project involving spoken word, where timing may not be rigidly measured, I allowed for space and flexibility in my score. There are also a couple of movements where the musicians are specifically directed to follow Marc’s verbal text rather than a set tempo, and I indicate this with performance notes and arrows pointing to words. In one movement, the ensemble doesn’t even need to stay together, but rather chase the text. I also really do not like click track, and again, I gathered this wasn’t going to be rigid or metronomic, so each cue is signaled by Piano 1, and I indicated this with a cute little hand symbol.

I workshopped with violinist Pauline Kim Harris, cellist Thea Mesirow, and pianists Walter Aparicio and Vicky Chow. I’m so fortunate to be able to hear my music with live musicians rather than rely on shrieky midi, and to be in a process with colleagues I trust and feel comfortable with. There will be a preview performance on August 18 presented by La Jolla Music Society. (And I will finish the last movement this week!) :-D