January 2020 News/Rambling: awards, rejection, and getting work out there

2019 closed with some awesome things happening. I was awarded an ACF Create commission to write a piece for Boston-based duo Box Not Found, a 2020 National Arts Club Fellowship, and was invited to perform at Re:Sound in Cleveland and one of my dream venues, La MaMa. A lot can happen in two years...in 2017 I was hesitant to call myself a composer and got rejected from every residency I applied to. 

As artists, we all get rejected more often than not (I applied to ACF the year before, and I just got a rejection the day before yesterday), so it feels great to not get rejected. It’s also important to remember that these competitions do not valuate our work. I honestly see applications as cheap PR (especially compared to actual PR), a way to get work in front of as many people as possible.

Of course, all this supposed validation is followed by the immediate feeling that I’m a hack and got lucky somehow. Can’t stay in that mindset for too long though—I’ve got work to do!

Last weekend, I attended the Chamber Music America conference, a forum in which to get work in front of presenters and learn through panels and talks, as well as see showcases. CMA’s theme was “Music, Equity, and Our Future,” and it is clear that they have true conviction in this idea. Case in point: they are not afraid of tough conversations, as demonstrated in their panel “The Artist’s Perspective,” featuring Aaron Flagg, Tania León, Jerry Medina, and Tomeka Reid. I wrote more about it on an Instagram post:

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CMA day 2/#caturday: 1) met Hugh (up for adoption!) 2) Attended a panel on equity with Aaron Flagg, Tania León, Tomeka Reid, and Jerry Medina. . I asked a question (which I am paraphrasing here) about how we go beyond talking about issues of inclusivity and tokenism and effect change when PoC are lacking on the leadership/curatorial levels. Right now it’s about correction, and it is challenging to do anything differently or better when teams lack a variety of people and perspectives. I mentioned that I’m tired of talking, sometimes I think, I just want to BRING IT and REPRESENT rather than having this same conversation over and over again, with the same sentiments being echoed repeatedly. (Which is why I still haven’t written my article on PoC perspectives on diversity initiatives...) Aaron said, “If you’re tired, I’m exhausted!” But he mentioned how access to power is important and can be useful (as in, knowing people who have power and seeing if they can help), how he stuck around on certain boards, how the process was at times frustrating but had he left, things may not have improved the way they did. And afterwards he said, write the article! And so did someone else who had been sitting next to me. . Also got slightly admonished for using the term “PoC,” because one of the panelists felt that labels are the problem, that people see us that way because we see ourselves that way. I can understand why they’d say that; it’s partly a generational thing, it’s partly a “well, things worked out for me doing it this way” thing. And I never referred to myself in that way, not because I didn’t think I wasn’t, but because yeah, didn’t like labels, after all we’re all just “people.” I wish life was actually that simplistic. The nuanced racial dynamics I’ve experienced prove otherwise. Anyway I have more thoughts on that but will save them for a proper blog post (that I may never write) . Well crap I guess I just wrote an article on this POST . 3) Meowmy dis IS tiring I’m tired . #brevity #composer #pianist #questions #artist #nyc #newyorker #cat #tortitude

A post shared by Sugar Vendil (@sugarvendil) on Jan 19, 2020 at 11:23am PST

And back again to the topic of getting work out there: I got to do a pitch session since someone didn’t show up, where artists practice pitching and then presenters give feedback. It was very helpful, and 2/3 presenters were friendly except for the last one, who had an all-too-familiar look on her face of being pissed at me for existing. She softened towards the end after I explained the collaborative fashion concept behind my ensemble, The Nouveau Classical Project.

I’m generally not great at pitching and I find it challenging to balance making the work and putting the work out there, or to put it crudely, selling the work. I’ve been able to get opportunities organically by talking to people in random social settings, or making in-person connections by seeing a show at a venue or meeting people at events.

Anyway! That’s been my January so far. Feel free to share any thoughts or ask questions in the comments.